Interviews & Reviews

Tereza, born and raised in Armenia, has been a part of the entertainment industry for over 10 years, starring in films, performing with her own female pop-rock group, managing her childrens' careers and producing award-winning documentaries. A family woman at heart, she aims to bring interesting topics across the world into a format that families can learn and grow from.

When did you realised you wanted to be a Filmmaker\Actor\Writer?

I grew up in Armenia and ever since I was a child, I used to put together plays in our playground, at home, at school and everywhere I went. I have always wanted to be in the entertainment industry. It wasn't until I graduated from a University in Philadelphia and got that 9-5 job offer to become an auditor for one of the biggest accounting firms, that I realized - "I must pursue my entertainment dreams as a job." I turned down the offer and dove in head first. 

Do you remember your first time at the Movies?

I didn't have a TV in my home until I was 12 years old. So I was able to build and foster a magically powerful connection between MY MIND, MY SOUL, MY HEART and MY VISION. I was at the movies when I was 23 in Philadelphia.  

If you should change country where would you like to work?

I love the opportunities the USA has provided for me and my family. My greatest wish would be to be able to work both in the US and in my beautiful country Armenia. My wish would be for my country to have peace and flourish with all the talent it gives birth to every year.  

Two films that have marked your life for better or for worse…

"The Secret" and "Unbroken" 

What do you think about Acting/ filmmaking schools?

I think training is absolutely important to grow your skills, build relationships in the industry and build a strong foundation.  

Have you ever hated your ambition?

Never. I refuse to use the H word in any circumstance.  My ambition is my muse and I can realise my purpose in life because I am ambitious. It's one of the most important things to have. 

Francois Truffaut used to think that "Film Lovers are sick people”… was he right?

Depends on what type of film lovers. People who only like to watch violent films or horror films, there may be some trauma from childhood that is affecting their need to be in constant hightenent state of cortisol. There are many educational films, historic films, beautiful love story films, incredible mindset shifting films that are very ok to watch and most people actually do take a lot out of those films. The people who actually are able to take greatness from films and implement it in their lives, are very healthy minded people. 

Close your eyes…if I say “Cinema” what do you see?

Titanic haha 

Who’s the Director\Actor\Writer that taught you the most?

Natalie Portman and Anthony Lolli

About your job, tell us your biggest dream and your worst nightmare…

Biggest career dream is to produce an Oscar winning film starring my children Love and Legend directed by my husband Anthony Lolli. My main biggest dream is to help Armenia recover its land and unite the Kingdom of Armenia that used to exist centuries ago. My biggest nightmare is what is going on in Armenia right now, the attacks from Azerbaijan, the heartless killings of civilians, children and elderly. My biggest nightmare is watching the US government and the UN do absolutely nothing to interfere and use sanctions against Azerbaijan aggression. 

How important is to have a good Cinematographic Culture?

Cinematography is the film's gut microbiome.  It's everything.

 What would you like to improve as a Filmmaker\Actor\Writer?

I would love to continue to grow, learn and master filmmaking.  

 A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?

I would remake "Home Alone" starring my children Love and Legend who would play the most advanced futuristic and tech savvy kids, outsmarting the villains.

 Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?

My husband Anthony Lolli. 

 Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script".  Do you agree with him?

Of course the script is the bloodline of the film. But before a script must come the outrageous drive and vision of where you want that film to go, so you can adjust the script to that vision

What’s your most ambitious project for the future?

"Diamond Dog" is the next blockbuster childrens' action comedy film that I'm going to tackle in 2024.

Do you think that sadness or at least melancholy let be more creative?

Absolutely.  

What do you wish to yourself as a Filmmaker\Actor \Writer?

Funding:

Colleen Shannon has over a million books in print. Her eighteen novels have made many bestseller lists. She’s received two Romantic Times Reader’s Choice Awards and been nominated for many other Romantic Times Awards, including a Career Achievement award for Best Historical Storyteller. She currently lives in Austin, TX. In 2003 she obtained her Master’s degree from USC in Real Estate Development and is actively working on both novels and real estate deals.

Do you prefer Comedy or Drama?

I cannot choose; it depends on the skill of the storyteller and the director, actors, cinematographer, etc.  I mix both usually in the same story, both novel and script. 

Life imitates Art or Art imitates Life?

Reciprocal.  This very question drives my heroine in Michelangelo and Me.

Which is the best Moment on set?

I collaborated with a Warner Brothers staff screenwriter for about a year after moving to LA IN 2000 and he got me onto the set of The Perfect Storm.  I saw John C.  Reilly filming a storm scene in an enormous tank on the lot and it remains one of my happiest memories of living in Los Angeles.  I've also participated in a couple of shorts done by friends.  I'd say watching someone else's vision come to life is a moving experience for anyone who loves story telling.  Participating is even better. 

Did anyone ever tell you weren't good enough?

The aforementioned screenwriter tried to turn me into what he was:  a dialogue writer.  His scripts were technically good but cold.  I'm a story and character writer though I've also had compliments on my dialogue from other professionals.  Richard Walter loved my line from Robby Burns about the Pieta.  When I was learning screenwriting I attended several of his seminars. 

How can you stay focused on your goal?

I've walked away from writing, both novels and scripts, three times when I was actively being submitted and selling books.  A rational decision after my divorce and for the ten plus years of my development career in LA I didn't write at all.  I found another creative outlet in music lyrics.  I'm about to post a music video I produced and authored on Film Freeway.  Focus is not my problem; I was never late delivering on the date of any of my 18 published books.  It's finding time to write half my ideas....

Have you ever had a breakdown because of your Job?

No.

Talent is a blessing or a curse?

Depends on the person.  I'm very stable and have a strong analytical side so I don't dwell on negativity as it's not productive.  But I'm also highly creative, an unusual mix but then I've always been a square peg in a round hole.   I'm also a social person and have a good base of family and friends and enjoy collaborating with other creatives. 

What would you like to improve about yourself as a screenplayer?

Dialogue and clarity of my ideas.  They tend to be too complicated for most people but I just don't think simply.  But I also pick up on a lot of story clues in both film and novels others miss.

What's the worst critic you have received?

A few one star reviews at Amazon from people who didn't understand my novels.  Most of my reviews are good, averaging four or more per book out of five stars.  

If you weren't a screenplayer what would you like to be or  to do?

Preserving historic buildings.

If Cinema was a color what would it be?

A sunset in all its glorious colors from palest pink to magenta.

A day without a movie is...

A day without something to make me think.  I feel the same about books.

If someone offered you to/write ia movie that you despice but that for sure will make you rich and famous...would you accept the job?

No.

What's your greatest ambition?

Becoming a successful producer/screenwriter.  Being a successful real estate developer is much like being a producer:  I find the project, I vet it, cost it out, locate time and place, recruit the team, oversee the development and reap a good share of the rewards if my gamble pays off and potentially lose my shirt if it doesn't.  Development is as risky and costly as film at its highest level.  One of the projects I oversaw in LA had a completed value of 165 million and I managed everything.   As I said I have an unusual mix of creativity and analytical skills.  At least three times I came up with unique uses for problem

properties no one else envisioned.  

What's your biggest fear?

Never finding anyone to share my dreams.

Does music helps you to write?

Classical.

You have the chance to make a Silent movie, what's your message to the audience?

Be kind to one another; your deeds follow behind you like footprints.

Share your speech if you should win an Oscar...

Seems more than a little presumptuous as it would be nice to make money as a screenwriter first lol. I continue to get royalties on my books but it's not much. ..But something similar to this new bio in which

I'd say I want to help perpetuate joy, and do my small part to be sure literature, art and history survive to the next millennium.

My attachments:  1,2 pics of the works of art I envision in the script.  I'm sure approvals would be required but I can't imagine the Vatican objecting to my subject matter.  

3,4 pics of me.  5 my novel list.  My script list is at film freeway but doesn't include all my completed scripts.  

Do you have a web site?

Yes! My web site is:  www.colleenshannonauthor.com

Tommy Anderson is a multiple best-selling author and screenwriter. He enjoys his role as a motivational speaker and Host of "The Real Tommy Unleashed" on the IQ Podcast Network in San Diego. Tommy's show is heard on multiple streaming platforms, Itunes, iHeart, Spotify, Apple Play, and more.

The biggest challenge of being an actor\director\ screenplayer is…

Being noticed or discovered. It is hard and you must learn to never give up but also never to be annoying to the person you are trying to pitch yourself too. Authenticity in yourself, self-confidence, and professionalism goes a long way in this business.

Choose an Actor, Choose an Actress...and now choose a story you would like to direct:

I would like to direct the actor Chris Pratt and the Actress Jennifer Love Hewitt, in an award-winning script that I have written called “The Broken Road” in which

two broken individuals through mutual respect and then love to rebuild their lives and then are inspiration to help others do the same.

Who’s the first Aritst that let you understand you wanted to be a director\screenplayer?

Film Producer Shar Yonan with Global Edge Pictures in Hollywood gave me my first shot at an actual featured background in a music video they had produced in San Diego, California. She also knew that I had written a bestselling thriller novel and thought it would be an excellent film. That was the catalyst for me learning how to write a screenplay.

What really excites you artistically or emotionally?

It excites me to just be creative and basically go from nothing to creating a

compelling story which you always hope will be picked up to become a film. But

the highest point is when you are watching a film on the big screen and see the

characters that you have created speak the words that you have written. It is

almost surreal. Then to top that you see your name in the credits for the film.

There is no greater high in my opinion.

Marlon Brando said “Never confuse the size of your Paycheck with the size of your talent”. Do you agree?

Absolutely, when you become focused on only what you will earn you lose in my

opinion that winning edge. I feel you can always tell in films if the screenplay or

acting has been forced usually by money. We must always be true to our craft

and not lose focus.

Have you ever been discouraged by someone about your life\career choices?

Absolutely, when I first decided to move from the Mid-West to Los Angeles to get

into the entertainment business both family and friends tried to discourage me. I was already established in another career and when that had ended, I felt now it was time to do what I felt passionate about. This discouragement only made me work harder.

Do you think is harder for a woman being a Filmmaker?

At one time in the past yes, but today I believe it is truly open if you have the

talent. Women I believe have become more independent and driven probably in

the past 20-30 years. Some women I know even started their own production

companies when they have hit brick walls and it is a good thing to see them

succeed.

Do you think that Fame and money could easily change your own Vision as a

Filmmaker\actor\screenplayer?

I don’t really think so, I have the same values and visions that I did when I was

young. I think some people mistake Fame with Respect in this business and I

wanted to be respected for what I do. Fame is fleeting where Respect goes on in

peoples minds.

Who’s the Movie star that made you dream for the first time?

I have to say as a child it was John Wayne, I always wanted to act like he did even knowing that I wasn’t in the same league as he was. But as I got older I realized that I just needed to form my own style based somewhat on multiple actors that I had admired.

Make a wish about your career... talking about cinema\Showbusiness, how hard is to remain completly honest to yourself as an artist?

I really wish that I can keep expanding and improving in this career. On every

project and every encounter, I always learn something new and I feel by doing

that you always remain humble and true to yourself and those who believe in your abilities. The minute it becomes about you and not the craft is the moment I feel that you start failing.

The Film you have loved the most?

This is a really hard one, but I really love the classics in which an actor had to

demonstrate many facets of a character without any type of special effect

assistance. One in which the director and the director of photography worked

together on a vision together to create a masterpiece. For me it would be Alfred

Hitchcock’s “North by Northwest” with Cary Grant.

And now, don’t be shy…. the one that annoyed you the most?

This is equally as hard because in my estimation there have been a number in the past decade. But one was one a director friend of mine and I went to do a

prerelease screening in Hollywood at Lionsgate Studio’s called “Air Raid” with

Bruce Willis. As the film played the room was silent and when it ended everyone

left quietly. In talking to my friend, we both said it was the worst script, dialog,

special effects, cinematography and acting.

Your biggest artistic goal is… 

My biggest artistic goal is to create a film that is well liked and moving to the

public.

What profession other than your own would you like to attempt?

 As for other professions, this is my last career because I have done so

much in my life, I have been a soldier, police officer, firefighter, cowboy, aviation, and a few other things. I have been blessed to have the opportunities that I have had, and I draw on those experiences to put into my scripts.

How important is to be rewarded as an Artist?

I feel it is very important to be recognized for my work, but I don’t think it is

beneficial to just receive an award for doing something. I want to earn everything I get and peer or fan awards to me are the best and truly mean something to me.

Do you have regrets?

My only regret is that I haven’t started earlier on this journey because I feel I have so much more to do and so few years to do it in.

What’s the message you wanna express through your art?

If this is what you want to do be consistent, persistent but not annoying, network, stay humble, and honest. Always convey that it is about the project and not you. If you keep that in mind, you will be noticed and recognized. It doesn’t happen overnight, so you do need to be persistent in perfecting your craft.

Singer, songwriter, model, producer, actress, dancer and video-maker Elvira Kalnik is a European crossover artist based in the USA who sings and produces a variety of musical genres including electronic dance, contemporary pop, dubstep, drum n bass music with an operatic quality and soft rock. Her new album, Magical Child was born in Vegas when Elvira wrote the song "Magical Child", which turned into an entire project. Everyone has a Magical Child inside. All we need to do is just to tune in and listen. Besides music, Elvira is involved in various tv projects, fashion shows, videos and photoshoots as a model, actress and performer. Writing scripts and filming became her new exciting path since 2016th when she filmed her first music video to her song “I Met You on Christmas”. Since then, she writes, directs and produces music videos. Her recent music videos Star Dance, NORD DOLL and Blind Love got recognition among various film and music festivals and won awards in many big cities.

What's the absolutely necessary ingredient to be a good actor/director/screenplayer?

I believe that loving what you do, consistent practice to enhance skills, enthusiasm and willingness to work in any condition, evolving and progressing in developing a signature - style are important ingredients of mindset of an actor/director/screenplayer. If to form it in one ingredient, to me it would sound like “I can do it!”. 

First and last cinematographic crush?

Not easy to answer. I have multiple cinematographic crushes: Antony Hopkins, Jack Nicholson, Tom Cruise, Adrienne Brody, Chris Hemsworth, Brad Pitt, Leonardo DiCaprio and many more. 

How old you were when you decided you wanted to be an actor/director/screenplayer?

I was 5 when I announced to my parents that singing, dancing and acting will be my profession. Sure enough, they brought me to music and dance school.  Later, I learned acting, directing and filming. 

For you a Film is...

A Film is a visual story that’s been processed through minds and experience of people that were involved in the creative process. I think it’s very personal. Same story would look differently and have different meaning and vibe when it’s filmed by different people. 

What do you feel when you're acting/directing/writing?

I feel excitement and internal drive when I act, film, write and produce. I forget to eat and sleep, because my inner child likes to play more than anything else. 

You can go to the Movies with an actor/director/screenplayer that you 

love. What kind of movie do you choose and with who you're gonna whatch it?

I’d go with many talented people to watch their movies, listen to their stories and learn from them. 

Audrey Hepburn used to say “Nothing is Impossible”, what do you think 

about it?

Agree 100 percent. “Everything’s possible if you will put  Your mind into it,

Everything’s possible, and if it’s not, Just dance with it”  lyrics from my song “Just Dance With It” from my album “Magical Child”. 

Can you live just of your passion?

I think that’s the right way to live: to be passionate about what you do and bring your talents to light. 

What's more important talent or luck?

I think that having a talent is equal of having luck. However, it’s important what you do with it. If you learn, work and enjoy a process of creation, the Universe starts helping. It gives opportunities and all you have to do is to take an action. 

You must go to a desert island but you can bring with you just one movie...

It sounds exciting and inspiring. I’ll probably be so busy writing and filming that I won’t have time or willingness to watch any movies. 

Have you ever accepted a part/ a movie to direct/ a script to write even if you didn't like the project?

I wouldn’t waste time on projects that I don’t like. 

What's the best compliment you have received about your Job?

I think getting awarded by festivals is a great compliment as it’s an opinion of my fellow professionals that are also involved in a creative path and are passionate about it. 

Are you satisfied about your career?

I definitely am. To me, success is measured by process and progress. I don’t have a certain goal, because when your reach your goal, then what? What next? If you live from an achievement to an achievement, you’ll never be satisfied. It will never make you happy. Enjoying a journey itself is the healthiest goal  and a way to live.   

Do you have a good luck charm?

I rarely wear jewelry. 

Which is the worst moment on set ?

I haven’t had bad moments on set. It’s about mindset. I set my mind that no mater what, everything will work eventually. If there is some unpleasant situation, I think how I can embrace it and direct it into a favourable outcome. 

How do you feel when a job you've been part of it's ending?

There are mixed feelings. On one hand, I feel: “Yes! We’ve done it!”. On the other hand, I feel that it could be done better… And this is a good thing, because it helps to grow professionally and develop more skills and experience. Also, I miss people that I work with, because in teamwork we become as a family. There’s always strong bond and connection. 

Have you ever lied to get a part/job?

My dad implanted in me a very strong sense of integrity and honesty. I won’t respect myself if I lie to get something wether it’s a job or anything else. To me, the most important thing in my career is my professional progress. In fact, the main purpose of an artist, actor, writer and every creator is to give, not to get. If you, as an entertainer, think how to get (a part, role, money, fame e.t.c.), you’re in a wrong business. 

If you should win an Oscar your first thought would go to…

Dad. My dad. He was first who believed in me and opened a road for me to be creative. He taught me values that every human being should have: believe in yourself, live and let others live, mind your own business and don’t judge others, stick to your promises or don’t promise, every action brings consequences (be mindful and kind), do what you love and love what you do regardless of circumstances and other people’s opinions.

How can people find you online?

Website http://www.elvirakalnik.com

IG: https://www.instagram.com/elvira.kalnik/ 

Apple Music: https://music.apple.com/us/artist/elvira-kalnik/590676215 

Spotify: https://open.spotify.com/artist/1av3TO7RQXDjr8Pkl7flDw?si=_bPBIYGOTsKA3M6zlAGdYA 

Soundcloud: https://soundcloud.app.goo.gl/ofPTY8dwNHghEyuu

Bandcamp: https://elvirakalnik.bandcamp.com/ 

VEVO: https://youtube.com/channel/ UCVTXOjc-4ff8W4hajfmTqug 

YouTube: https://youtube.com/c/ElviraKalnik 

IMDb: http://www.imdb.me/elvira.kalnik

Facebook: https://www.facebook.com/elvira.kalnik.artist/ 

Twitter: https://twitter.com/Elvira_Kalnik 

TikTok: https://www.tiktok.com/@elvirakalnik 

LinkedIn: https://www.linkedin.com/in/elvira-kalnik

My life has from I was very little been about the Arts; studying piano from age six; having a singing career as a boy soprano; performing in children Theatre; being allowed to buy myself an electric guitar at around 12 years old; playing keyboards in rock and jazz bands; studying music, singing, piano, composition...basically everything; performing in musicals and opera; assisting Leonard Bernstein in Vienna at the very end of his life, where everything he did became a film. I assisted both Lennie and the film Director, Humpfrey Burton on several concert films; participated, acted as an extra, observed in the making of Adrian Flicker's film, "Halbe Welt" in Vienna, where I lived for 24 years. From then on I was fully occupied following a career as a music conductor of orchestras and Opera companies around the world. Over the last decade I made several Documentary films. Over the last six years I have completed my first feature film, COMMONHEART. From a childish mind.

When did you decide you wanted to be an actor/director/ screen player?

Being passionate about several Art forms, I always had a special love for film and filmmaking but only over the last decade have 

I committed myself, finding time to engage more profoundly.

How did your family react?

They support me in my different artistic endeavours...

Do you have a Muse or a Role Model?

Not really. But if I had to mention someone, it must have been a personality like Leonardo Da Vinci...

Who's your biggest fan?

Not for me to say, I'm afraid...

What brings you inspiration the most?

Life; nature; man kind's lack of appreciation and understanding of caring for and about our planet makes me need to create Art that matters.

Which actor or director would you like to work with?

Anyone who wants, and who is willing to join me on the journey.

Have you ever seen a film that was better than the book?

Reading the book first and then seeing the film afterwards is probably seldom going to benefit the film. It depends on the mind that is 

reading the book, I suppose, but in my case, I find the film- if I enjoyed the book- always struggling to keep up.

What's the movie that taught you the most?

There are many beautiful moments. I always tend to appreciate attempts for a poetic picture. Tarkovsky's The Mirror comes to mind.

About your artistic career, have you ever had the desire to quit everything?

No, not really, at least not for more than a day at a time...After a night's sleep i tend to start digging again.

On set what excites you the most?

The excitement in its highest degree establishes itself for me when I'm allowed to pursue a deeper artistic line. There are so many factors on set however, that challenges this dream-like state of mind.

And what scares you the most ?

Unfortunately, I am generally scared...

Keeping the budget maybe could be an answer. My budgets are so low though, there is nothing to keep :)

What's your next project?

Some Shorts eagerly await coming to life. In addition I'm working on a dark comedy.

You can steal the career of an artist you really admire, who do you choose?

Jon Fosse would be a good one at the moment with the recent Nobel Price.

He keeps the flag high for "Nynorsk" (New Norwegian) which is a passion of mine.

An actor/ director/ screen-player is made of....

...flesh and blood...

For you Cinema is....

...when at its best, the strongest Art Form.

Do you think Black and white movies have a powerful impact?

Definitely yes! In some cases it outscores color by far.

Have you ever dreamed of winning an Oscar?

No.

Do you think you're gonna win it?

It doesn't occupy even the tiniest part of my brain to think about it.

Oscar Adán López Parres, a young man with great enthusiasm and affection for cinematography, as well as a fan of outer space and sports, especially soccer.

What's the absolutely necessary ingredient to be a good actor/director/screenplayer?

I believe it's discipline. Most give up when they lose the passion and toss aside a project that had the potential to be something great.

First and last cinematographic crush?

My first crush was Scarlett Johansson; I remember the first time I saw her, I was smitten. And my most recent crush is undoubtedly Emilia Clarke. There's something very special about her smile, and she exudes kindness when she speaks.

How old you were when you decided you wanted to be an actor/director/screenplayer?

I've always loved cinema and smaller-scale productions. My friends and I would always be filming everything and making short films. I was 14 years old when I started getting involved in film-related activities.

For you a Film is...

It is one of the most transcendental forms of human art in history. It's the way real or even fictional stories are told that move humanity, that inspire both the young and the old, that make us dream and imagine.

What do you feel when you're acting/directing/writing?

I feel very good. The fact that my ideas and thoughts are materializing through a movie is one of the most rewarding feelings.

You can go to the Movies with an actor/director/screenplayer that you

love. What kind of movie do you choose and with who you're gonna whatch it?

Leonardo Di Caprio and The Great Gatsby would be a dream for me.

Audrey Hepburn used to say “Nothing is Impossible”, what do you think

about it?

If people believe that something is impossible, it will end up being impossible. But if people believe something is possible, that's when miracles begin to happen.

Can you live just of your passion?

If you're the best at what you're passionate about, you can easily make a living from it.

What's more important talent or luck?

I believe that neither is more important than the other. They complement each other, though I must say that luck always follows talent; it's like a law of life.

You must go to a desert island but you can bring with you just one movie...

The movie "Interstellar" is one of my favorites because I'm fascinated by space and everything related to the future of humanity.

Have you ever accepted a part/ a movie to direct/ a script to write even

if you didn't like the project?

At the moment, no. I'm just starting in the industry and so far, I haven't faced that issue.

What's the best compliment you have received about your Job?

The best compliment I received was from my grandmother; her face of happiness and her words are nourishment for my soul.

Are you satisfied about your career?

Absolutely, I believe I haven't missed out on anything and I thank God for allowing me to have this life.

Do you have a good luck charm?

I have a blue quartz. Every time I hold it, I give thanks for something I'm grateful for and happy about.

Which is the worst moment on set ?

I feel it's when the idea you crafted or how it was portrayed doesn't fully convince you, and you have to redo the entire scene since it's a tedious process.

How do you feel when a job you've been part of it's ending?

It's a feeling I was recently discussing with a good friend. Seeing that everything started from nothing and is now finished is priceless. It's a sensation that makes you believe and feel like the happiest man in the world.

Have you ever lied to get a part/job?

Yes, haha, I think in every job. But they are small lies, simply to present yourself as a strong candidate.

If you should win an Oscar your first taught would go to…

God, thank you so much for helping me to be in this moment. Thank you. I believe that would be my first thought.

John Johnson is an American born Filmmaker, Producer, Director, Writer, Animator, Cinematographer, Editor, Miniature Scale Building Artist, Musician, Voice-Over Artist, Internationally Published Photographer, Plasterer, Carpenter and ALL AROUND NEW AGE RENAISSANCE MAN. Oh, and I can repair screen doors as well.

When did you decide you wanted to be an actor/director/ screenplayer?

I studied Method Acting under Grant Williams who starred in the 1957 Sci-Fi classic - The Incredible Shrinking Man. My path led to Principal Roles in three National Commercials, two years of DAY PLAYING on the soap opera The Young and The Restless, Criminal Minds, My Name Is Earl, House and the short-lived series Jericho. 

I was Robert De Niro’s HAND DOUBLE in the 2013 film Grudge Match. In my most recent effort, I play General Taylor in the film - When The Moon Was Twice As Big.

For me, Directing, Producing, Screenwriting and Editing are a constant. While I am finishing one film, I am already preparing for the next project and sometimes (usually) I am working on two and three films at once - As the Roman poet Horace said, “Seize the moment”

How did your family react?

My parents died in a train wreck when I was young. My younger sister is supportive.

Do you have a Muse or a Role Model?

For decades now, the ghost of my former landlady’s grandfather has been with me. His name is Willis and he has provided some great ideas. Willis is a prankster. He unrolls my toilet paper to the floor, pulls the blankets off of my bed while I sleep and roams the house all night.

Who's your biggest fan?

My younger sister is not only my biggest fan. She is also a very talented voice-over artist and provides fantastic voices for my animations. I always get the FAMILY RATE when I hire her.

What brings you inspiration the most?

I dream my films in their entirety. When I have dreamt a story more than once, I get up and make enough notes to remember it for later. Eight, Freedumb and Last Sunrise were all repetitive dreams that became films.

Which actor or director would you like to work with?

I worked with Steven Bauer on the 2009 film - Hitman Diaries - Charlie Valentine. I always liked Steven Bauer - Scarface, Ray Donovan. In Hitman Diaries, I was playing a member of James Russo’s gang. The Director, Jesse Johnson noticed that Steven Bauer and I were built exactly alike. Steven Bauer refuses to fire a weapon on a movie set. I, on the other hand, had been certified in on-set weaponry for many years. In the series Jericho, I was firing automatic weapons every day. I became Steven Bauer’s GUN DOUBLE in Hitman Diaries.

Have you ever seen a film that was better than the book?

Yes, The 1972 film by Woody Allen - Everything You Always Wanted To Know About Sex But Were Afraid To Ask.

What's the movie that taught you the most?

The 1973 release of Executive Action affirms ten years after the fact, that President John F. Kennedy WAS killed by the American Government and sundry members of Organized Crime.

About your artistic career, have you ever had the desire to quit everything?

Balance is the key to everything we will encounter during our time on this planet. I haven’t always played a LONG GAME in my approach to getting things done. I certainly do now. Instead of quitting, I just diverge into another form of creativity. In 2010, I had lost my job at ABC / DISNEY and didn’t really have a direction for financial survival. I took a vacation to Fairbanks, Alaska. There I visited the Arctic Circle nightly and captured stunning imagery of the Aurora Borealis. My photos were published Internationally and I discovered an emotional springboard within myself to carry on.

On set what excites you the most?

When I am shooting an animation sequence, it requires ALL of my concentration. I have to guesstimate how many frames it will take to complete a line of dialogue and if the character is walking and talking the estimation factor triples. After a 12 hour frame by frame shooting session, I usually have a good idea if I am successful or not. When I look at the clock and twelve hours has passed and it seems like two hours…the feeling of being teleported through time overwhelms me. THAT is exciting.

And what scares you the most ?

Being beaten to death during a home invasion. On my 21st birthday, three thugs kicked my front door in, drug me into my living room and beat me almost to death. I swore that would never happen again and bought some guns.

What's your next project?

Currently in production, Dogma is the title of my next project. The story is inspired by the Anatole France novel - The Revolt Of The Angels.

You can steal the career of an artist you really admire, who do you choose?

Aesop’s Fable, The Old Man and Death teaches us…”Be Careful What You Wish For.” It is my favorite literary lesson due to its simplicity. When we see a successful artist thriving, as observers, we have no idea what is really happening in their lives. I have had the honor to work with many successful people and what always amazes me is how much suffering is going on behind the scenes (so to speak). So, in my mind, STEALING the career of another could very possibly mean INHERITING all of their strife as well. 

I’ll stick with my career and my struggles. My plate is already full, thank-you.

An actor/director/screenplayer is made of....

A human being who has lived life through the best and worst of times.

For you Cinema is....

In 1990 I was running camera for a PBS documentary titled Vietnam Today. We were shooting on a tight schedule and covering the entire country in fourteen days. Most of our travel was by bus. Just like the U-2 song says (“where the streets have no names”). In eastern Vietnam, outside of Da Nang, there were people cooking their meals over open fire pits. No toilets. It was eye-opening to visit a place on this planet where people were forced to live like this in 1990!  Cinema is a powerful tool that can shock you, make you laugh and cry. Cinema can anger you and make you see things in a new or different light. If executed correctly, cinema is the good, the bad, the beautiful and the ugly.

Do you think Black and White movies have a powerful impact?

I think Black and White imagery is used too much in modern film as a way to express memories or alternate points of view. A standalone Black and White film is powerful because we are not overwhelmed by the awe of color and clarity. We are witnessing a stark expose of subject.

Have you ever dreamed of winning an Oscar?

In 2009, I found myself lighting Elizabeth Taylor interviews. Her interviews were always done at her home in Bel Air. Bedridden with scoliosis, her assistants would carry her down from the second floor in her wheelchair and place her on her mark. Elizabeth was always cheery and very friendly. At 77, she looked great. I consider her the most famous actress in the history of film. Throughout her entire career she was awarded two Oscars. 

I have never dreamed of winning an Oscar. I dream storylines. 

During one session with Elizabeth she looked over at me and said, “pssst, what are you doing?” I said, “waiting on you young lady.” Elizabeth said, “I want to pull your ponytail.” I said, “maybe I’ll let you when we’re done here.”

Do you think you're gonna win it?

Winning an Oscar is like winning the lottery. I’m in the wrong demographic. I will not discount the possibility, nor will I leave it hanging like a carrot in front of my nose. In a self-practice of Quantum Physics - I inhale all good and bad in the world and release in an exhale to the world what I want from all of that. If an Oscar materializes out of my efforts in art. So be it. Stay Tuned.

I'm actor Dean Morgan. I started acting back in 1979 when I tried out for Second City in Chicago IL and I was so funny the producer in the back of the room fell off her chair. I past the audition. I started acting after that in 2011 and then in 2015 I created a comedy team of Sheldon Mashugana and James. Sheldon is well known for School of Idiots, a short film that was submitted to Film freeway and has over 295 awards and counting. The awards are from all over the world and were for best comedy, best international film, short film, actor, director and writer. I also started a new character known as The Macher. He's actually funnier than Sheldon and has over 239 million views. Both comedic styles are different. Sheldon is slap stick like Jerry Lewis and The Macher is guttural and obnoxious. I have been on film and in movies over 100 times. I also play a cop a lot in movies. distribution

Do you prefer Comedy or Drama? 

Comedy is my schtick, I love doing it all the time!

Life imitates Art or Art imitates Life? 

Art imitates life, we create it by doing amazing things and then we imitate what we see on film or on canvas.

Which is the best Moment on set? 

Playing my character and directing at the same time

Did anyone ever tell you weren't good enough? 

No, in the beginning I wish they did, so I can improve myself faster.

How can you stay focused on your goal? 

Whenever I start a project I always finish it no matter what

Have you ever had a breakdown because of your Job? 

Not a break down, but I was over stressed one year so I took a year off

Talent is a blessing or a curse? 

Blessing, either you got or you don't , very simple

What would you like to improve about yourself as an actor? 

Get more experience with the larger films and learn how they move quicker , also my screen plays need to  have more descriptions

What's the worst critic you have received?

None, except I had one comment from Disney on doing more close ups on my films

If you weren't an actor what would you like to be? 

Well I'm an entrepreneur so I own businesses now and have for many years. The one business I have will save the healthcare industry as we know it today

If Cinema was a color what would it be?

Blue

A day without a movie is...

A day I'll have to find something else to do

If someone offered you to play in a movie that you despice but that for sure will make you rich and famous...would you accept the job?

Yes, especially if it was someone I love, it makes no difference on the script unless it has to do with discrimination, I won't do those

What's your greatest ambition? 

To make people laugh.

What's your biggest fear? 

Nobody can see my movies

Does music helps you to play\direct?

 yes, I had a black and white silent movie I made and now its getting awards, without the music, it was boring.

You have the chance to make a Silent movie, what's your message to the

audience? 

Yes it was fun, you just get into the character and have fun!

Share your speech if you should win an Oscar.....

I would like to thanks the academy for choosing me for this fantastic award, and my family , friends and cast and crew from the picture. I really enjoyed making this film and I could not do it without you. Love you all.

Singer, songwriter, model, producer, actress, dancer and video-maker Elvira Kalnik is a European crossover artist based in the USA who sings and produces a variety of musical genres including electronic dance, contemporary pop, dubstep, drum n bass music with an operatic quality and soft rock. Her new album, Magical Child was born in Vegas when Elvira wrote the song "Magical Child", which turned into an entire project. Everyone has a Magical Child inside. All we need to do is just to tune in and listen. Besides music, Elvira is involved in various tv projects, fashion shows, videos and photoshoots as a model, actress and performer. Writing scripts and filming became her new exciting path since 2016th when she filmed her first music video to her song “I Met You on Christmas”. Since then, she writes, directs and produces music videos. Her recent music videos Star Dance, NORD DOLL and Blind Love got recognition among various film and music festivals and won many awards.

When did you decide you wanted to be an actor/director/ screenplayer?

I knew it since childhood. I’ve always been driven to acting, writing and creating. I was 5 when I announced that I’ll be a singer and an actor when I grow up. 

How did your family react?

My family always supports me, and I’m very grateful for that. No matter what I decide to do, they are always there for me.

Do you have a Muse or a Role Model?

There is something inside that pulls me into creativity. This is my inner child I suppose. It’s something unexplainable. It can be only felt. 

Who's your biggest fan?

My parents, of course. They introduced me to music and performing arts. They are always supportive and encouraging. I’m so grateful for having such amazing and talented parents. 

What brings you inspiration the most?

Pretty much everything that happens around inspires me especially nature. There’s so much beauty in the world! I love hiking, traveling and experience new things, meeting new people, listen to their stories, learn something new…

Which actor or director would you like to work with?

It’s not easy to say. There are so many outstanding and brilliant actors and directors that I would love to work with. If I had to choose one, it would be Leonardo DiCaprio. He’s an extremely talented, highly intelligent (speaking of emotional intelligence) and deep human being that brought so much to entertainment industry and to the entire world saving oceans and the ecology of this planet. 

Have you ever seen a film that was better than the book?

Not easy to answer this as I’m not so much a reader. I rather prefer to watch a movie or listen to a story. 

What's the movie that taught you the most?

“The Pianist” staring Adrien Brody by Roman Polanski and Ronald Harwood. I’m not sure what it taught me exactly, but this is the movie that impacted me more than any other movie. It’s based on true story of Holocaust survivor Wladyslaw Szpilman. 

I remember a moment when he was found by a German soldier who didn’t kill him because he was touched by the music Wladyslaw played and was amazed with his musical talent and beautiful soul. 

 I guess it shows that every human being has a HUMAN part inside…, and that every person has a story worthy of a book or a movie. 

About your artistic career, have you ever had the desire to quit everything?

Actually, I have quit several times, but life brought me back in some mysterious ways. Every time when I quit, something would happen: I meet someone that would remind me about my creative path, or I hear a story that inspires me, or some of my fans would ask about upcoming projects, or simply my inner voice would push me back to creativity. 

On set what excites you the most?

There’s so much energy and fun on set! I get carried away by a process and forget about time. It’s so great to interact with people and create together! Often, ideas pop out of nowhere right on set, and add spice into an entire production! I really love the process! 

And what scares you the most?

Nothing ever scares me when it comes to creativity. When I have an idea, I get so excited! I focus on it, dream about it, sleep with it, live with it 24/7. My family calls me “a crazy scientist” at these moments. On set, I’m in a creative mode. There’s no place for fear, because I am in love with what I do. Love is an antagonist of fear.

What's your next project?

I’m working on a new EDM song and a music video called “Dreams Come True”. This is very positive, romantic and heartwarming song. I plan to release it by end of summer. Super excited about the process. 

You can steal the career of an artist you really admire, who do you choose?

No one. I’m pretty much happy with my life and strongly believe that everyone has unique talents and unique ways to express them. Everyone has own path, and I prefer to walk mine. If I would be someone else, who will be me than? I like to be who I am and I appreciate everything that life presents me with. 

An actor/director/screenplayer is made of....

An actor/director/screenplayer and any artist is made of dreams, deep perspectives of life, out of a box thinking, love, empathy, high emotional intelligence, desire to understand this world, complex thinking, seeing beyond what’s on a surface and strong desire to create. 

For you Cinema is....

For me Cinema is a playground for creative souls. It’s like a world of mirrors. Each mirror is a reflection of the internal world of its creators and collective thinking. Same story told by different people will sound differently. When it’s told by a talented screenwriter, director, actor, camera crew, editor, designer, composer, sound engineer, visual effects engineer and other creative people, it becomes a gem. 

Do you think Black and white movies have a powerful impact?

I personally like colors. Our world is colorful.  Black and white movies were made when people didn’t have other options. If a director tries to recreate old times or to add some dramatic feel to a film, I think black and white is perfect especially for documentaries. 

Have you ever dreamed of winning an Oscar?

I think every artist dreams about it. This is one of the highest levels of artistic work recognition. 

Do you think you're gonna win it?

I create, grow as an artist, enjoy my process and then will see where it brings me

Remco Texer, Dutch filmmaker, born April 10th 1974. He maked his debut film in 2020 and won first prize for "Best Short Movie" at International Film by The Sea Festival in Vlissingen. International it receives many prizes as best short movie and best first time director. His second film will be released in September 2024. Themes are philosophic and discuss the great questions for humankind. His first movie is about Endless Life, his second movie will be about Free Will.

What's the absolutely necessary ingredient to be a good filmmaker? 

Passion. If you really want to achieve something, just go for it.

First and last cinematographic crush? 

My first crush must have been Basic Instinct I think. Not only for director Paul Verhoeven but it was the first time dating a girl...it was all excitement hahaha. Last crush was Opperheimer. A masterpiece of Christopher Nolan.

How old you were when you decided you wanted to be a filmmaker? 

A few years ago I had the opportunity to join a cinema class. It was just a revelation that I had to make a film.

For you a Film is... 

A way to express yourself and give humankind something to think about. Art has to inspire and wonder people.

What do you feel when you're directing?

It's the whole process of creation that gives me an exciting feeling. And in the end you give birth to your "baby". It's hard to describe because you have to experience it by yourself.

You can go to the Movies with an actor/director/screenplayer that you love. What kind of movie do you choose and with who you're gonna whatch it? 

Hard to say because it's just in what kind of mood you are. With whom is also hadr to say because I have a lot friend who are cinema lovers so it depends on the movie.

Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it? Sounds great but it's not how life works. You also have to know your strength and capabilities as your weakness and incompetents.

Can you live just of your passion? Oh no, I work for a great company and that gives me freedom to create beautiful things as films.

What's more important talent or luck? Both but in the end talent is more important. You can push your luck but it's limited. Talent is unlimited.

You must go to a desert island but you can bring with you just one movie...

It has to be Interstellar. Perhaps it helps me "to escape".

Have you ever accepted a  movie to direct even if you didn't like the project? 

No, I write, direct and produce my own film.

What's the best compliment you have received about your Job?

As not professional director and for a first movie it received many prices. I'm proud of that because it makes impact on people in way.

Are you satisfied about your career?

It's not a career for me, it's just a great creative way to express myself.

Do you have a good luck charm? 

Yes, I Holland we call it: Sunday kid. But with a positive attitude you can push your luck in the right direction.

Which is the worst moment on set ? 

When it rains or sound/light is not as good as expected.

How do you feel when a job you've been part of it's ending? 

Sad but happy the same time. It never ends because now you can show it to the world.

Have you ever lied to get a job? 

No but sometimes you have to exposure yourself and then you have to deal with the truth in a creative way.

If you should win an Oscar your first taught would go to…

My mother. She's a creative person in many ways and she always supported me during my whole life.

Mohamed Maged is a founder of DASH Group media & film production. An international award-winning creative and film director. One of the Notable Alumni of the New York Film Academy in Los Angeles, USA, and a graduate of The Lee Strasberg Theatre and Film Institute in New York, USA. Achieve his Bachelor's and a postgraduate degree in filmmaking and cinema studies from the Academy of Art in Egypt. Worked in advertising, animation projects, TV commercials, and films, as a creative, copywriter, animator, and director. participated in most of the various hit campaigns, branding, and TV commercials in MENA over the past decade. Winning and nominated for over 75 international and regional awards from different films and advertising festivals.

What's the absolutely necessary ingredient to be a good actor/director/screenplayer?

The absolutely necessary ingredient to be a good actor/director/screenwriter is passion. It's the driving force that fuels creativity, perseverance, and the willingness to continuously improve one's craft.

First and last cinematographic crush?

My first and last cinematographic crush is a tough choice, as there have been so many incredible films and filmmakers that have left a lasting impact on me. However, I'll always hold a special place for "Citizen Kane" directed by Orson Welles, and my recent admiration goes to Christopher Nolan's works, particularly "Inception."

How old you were when you decided you wanted to be an actor/director/screenplayer?

I decided I wanted to be a filmmaker at a young age, around 15 years old. I was captivated by the power of storytelling through film and knew that it was my calling.

For you a Film is...

For me, a film is a medium of artistic expression that has the unique ability to entertain, inspire, provoke thought, and evoke emotions. It's a powerful way to communicate stories, ideas, and perspectives.

What do you feel when you're acting/directing/writing?

When I'm acting, directing, or writing, I feel a profound sense of purpose and fulfillment. It's a blend of excitement, creativity, and at times, the challenge of bringing a vision to life.

You can go to the Movies with an actor/director/screenplayer that you

love. What kind of movie do you choose and with who you're gonna whatch it?

If I could go to the movies with a filmmaker I admire, I would choose a thought-provoking and visually stunning film, perhaps a classic like "Cinema Paradiso," and I'd watch it with Martin Scorsese.

Audrey Hepburn used to say “Nothing is Impossible”, what do you think

about it?

I wholeheartedly agree with Audrey Hepburn's sentiment. Believing that nothing is impossible is a mindset that empowers us to overcome obstacles and achieve our goals.

Can you live just of your passion?

Living solely with my passion is something I've always aspired to do. It's what gives life meaning and fulfillment.

What's more important talent or luck?

Talent and luck both play significant roles in a filmmaker's career. Talent provides the foundation, but luck can open doors and create opportunities. Success often results from the intersection of both.

You must go to a desert island but you can bring with you just one movie...

If I could bring just one movie to a desert island, it would be "The Shawshank Redemption" for its timeless themes of hope, resilience, and the human spirit.

Have you ever accepted a part/ a movie to direct/ a script to write even

if you didn't like the project?

Yes, there have been times when I accepted a project even if I didn't fully resonate with it. Sometimes, the challenge lies in finding a way to make the project meaningful and impactful.

What's the best compliment you have received about your Job?

The best compliment I've received about my work was when someone told me that my film made them see the world in a new and beautiful way.

Are you satisfied about your career?

I am grateful for the career I've had so far, but I always strive for more and look forward to new challenges and opportunities.

Do you have a good luck charm?

My good luck charm is a small medal that my wife gave me when I started my filmmaking journey. It reminds me of her unwavering support and belief in me.

 Which is the worst moment on set ?

The worst moment on set is when technical or logistical issues disrupt the flow of creativity and production. It's a test of patience and problem-solving skills.

How do you feel when a job you've been part of it's ending?

When a job I've been part of is ending, I feel a mixture of nostalgia and satisfaction. It's like closing a chapter on a creative journey, but also knowing that new adventures await.

Have you ever lied to get a part/job?

No, I've never lied to get a part or job. Honesty and authenticity are essential values in the industry.

If you should win an Oscar your first taught would go to…

If I were to win an Oscar, my first thought would go to my family and to all the people who have supported and believed in me throughout my career. It would be a moment of gratitude and reflection on the collaborative nature of filmmaking.

The director is a grandnephew of Anton Machnich, one of the movie pioneers in Italy, who opened the first movie theaters in Italy, in Romania and in Ireland (the latter in partnership with the famous writer James Joyce) in the early 19th century. He studied film direction at the Los Angeles Film School after working as a production assistant in several screen and TV movies (also with Ettore Scola). He authored "Spaghetti Nightmares", one of the best books on Italian fantasy and thriller movies which was published in Italy (M&P edizioni) and in the United States (Fantasma books). The extended Italian version was very much appreciated by the fans of the genre and the film critics.

When did you realise that you wanted to be a filmmaker\actor\writer?

From the age of twelve, I began filming short features with family members and friends.The passion runs in the family. My mother was an actress, my grandfather a producer, and my great-grandfather, Antonio Machnich, lived in Trieste, a fertile hub of early filmmaking.Married to a Novak, a distant relation of actress Kim Novak, he opened Dublin’s first movie theatre, the “Cinema Volta”, together with writer James Joyce, on what is today O’Connell Street. Some of the films shown even had a slight influence on the literary masterpiece "Ulysses". Unfortunately, due to organisational problems in Italy, where all the films were supposed to be subtitled in English, the experiment proved short-lived. The theatre, today partially demolished, continued to operate, though under different management, until 1948.

My great-grandfather also established two movie theatres in Bucharest, one of which, the “Volta Buzesti”, didn’t close until the mid-80’s. He would tell of how the less worldly spectators would run out of the films shouting "Drac!", the term for the devil in Rumanian, due to their astonishment over what, in the early twentieth century, was a mind boggling experience for some. Great-grandfather was way ahead of his time.

Do you remember your first time at the movies?

I remember my sense of wonder, as a child, before the magic of the great Disney films, such as "Fantasia", with their elegant, Technicolor pastel hues, which, sadly enough, have been lost for some time now.

If you were to change country, where would you like to work?

It’s hard to say. Maybe in America, where there is a visceral love for the sci-fi/horror genre. Or perhaps in the Denmark of Von Trier, a director who has had a certain influence on me. His latest thriller, "The House that Jack Built", is a brilliant mix of visionary thrills, a touch of black humour and experimentation, a lot like the full-length feature that I’m currently working on.

Have you ever hated your ambition?

Yes, because this is an extremely difficult line of work, especially with all the compromises you have to make to please producers and distributors.

Francois Truffaut used to think that "film lovers are sick people”… Was

he right?

That’s a rather snobbish sentiment, and one I don’t agree with. Why would Truffaut have become a filmmaker, if he really thought that? I would say the exact opposite, because if you can lose yourself in a film of Tarkovsky, for example, then you’ll come out of the theatre a better person, purified in your soul. He viewed the cinema as a moral duty, and for me that’s the last word.

Close your eyes…if I say “Cinema”, what do you see?

I see myself freed from the chaos of the city, like Marcello Mastroianni in the role of the director at the start of "8½" , or I picture myself romantically cradled by a dirigible shaped like an ideal woman, as in the scene from the finale of "City of Women", before landing in the middle of a fashion runway teeming with figures remembered from my past, once again like Mastroianni, this time as the child-angel with a flute in the closing moments of "8½," before he disappears into the darkness. That, for me, is cinema with a capital “C”.

Who’s the director\actor\writer that taught you the most?

There is more than one, I must say. My mentors are Svankmajer, when it comes to the urge to experiment, along with Phillip Ridley and Von Trier, as far as narrative extravagance is concerned, and then Kubrick, for the way he composes his images, plus David Lynch, whose visual extremism I greatly admire, while my all-time favourites are Tarkovsky and Fellini, who are not mere masters of filmmaking, but gods.

How important is it to have a good cinematographic culture?

That’s of fundamental importance, no matter what genre you work in.

What would you like to improve on as a filmmaker\actor\writer?

I often have others write some of my dialogue, which is not exactly one of my strongpoints.

If a big producer were to give you the chance to direct\play (in) a remake of

one of your favourite black and white movies (if you have one)… which film

would you choose?

Murnau’s magnificent "Nosferatu", even though Herzog beat me to it with his splendid colour remake, featuring Isabelle Adjani, who, in my eyes, is the grande dame, all dressed in black, of horror films: a stupendous, unmatched actress.

Two films that have marked your life for better or for worse…

I would focus on just one, given that I adore Stanley Kubrick’s "The Shining", a superb lesson in making a socio-political horror film that has the courage to weave a tapestry of all the intrinsic evil in our western world. The literary underpinnings of the picture come from Freud’s text ;"Uncanny";, according to which our greatest fears arise in moments when the most reassuring situations are turned on their heads, such as when a father sets out to murder his own son. 

The film is fiercely critical of the West, even though the evil in question is a universal affliction, to be found on every continent of the world. I myself am enamoured of the America of Studio 54, "Easy Rider", the blues etc., a place where you succeed because of what you’re able to do, not on account of whom you know, something that I find to be very democratic.

What do you think about acting/ filmmaking schools?

I went to the Los Angeles Film School, which I found to be excellent. . It was Sergio Leone, a friend of the family, who advised me,

when I was just a boy, to study film in the United States, and specifically at USC, whose faculty then included major filmmakers.

The film Industry is a tough place, and sometimes it’s normal to feel lost

and discouraged… who is the person that keeps you motivated?

It’s too early to say, because right now I’m still finishing the screenplay for my first full-ength feature. We’ll see who supports me.

Alfred Hitchcock said: "To make a good film you need 3 things: the

script, the script and the script". Do you agree with him? 

Hitchcock provided the best grammar for cinema, so I have to agree with him.

What’s your most ambitious project for the future?

About that future project, I’m not sure ... an extremely ambitious one, set in your city no less, would be a thriller about the Monster of Florence, for decades the most enthralling serial killer not only in Italy but, as I see it, in the history of criminology, as he sowed terror in the midst of your splendid hills by killing young couples. I have studied the case at a length, and I have a good idea of who it was: an extremely intelligent, well organised person of elevated social status, all of which allowed him, as I can logically deduce, to keep misleading the investigators and covering his tracks.

Do you think that sadness, or at least melancholy, make for increased creativity?

Not at all. To be creative, even if you’re writing melancholy stories, you need to feel good. All that the isolation and anguish brought on by the pandemic lockdown did nothing but leave me feeling apathetic.

What do you wish for yourself as a filmmaker\actor\writer?

To be a rebellious filmmaker. Right now I’m in the embryonic stage. We’ll see what happens.

Simon Bang (born 1960) is a self-taught painter and filmmaker. Bang has worked with the visual film language and executed storyboards for many feature films and works primarily as a painter. Bang lives in Copenhagen, where he has his studio. The Captain's Heart is his debut film.

Do you prefer Comedy or Drama?

I always prefer the drama. The drama goes deeper and tells something important about ourselves and the world we live in.

Life imitates Art or Art imitates Life?

It is, of course, both. But as Aristotle and later Oscar Wilde explained, life imitates art far more than art imitates life. My film and my paintings only become what they are when they meet an audience. Only there do they really exist. It is also the case that in order to reach a truth, art is forced to lie both big and small, in order to emphasize a point. This also applies to documentaries.

Which is the best Moment on set?

When we were filming the scene where I'm sitting out in the sea at my desk in the middle of the night, on a summer evening, I wore a wetsuit to keep warm for the two hours we were filming. As I sat there in water up to my waist, the waves crashed soft and quietly against my body and it was as if I was both floating and reborn with each wave. It was as if I had become one with the sea and it came to characterize the poem with which the film ends. It was almost as if I turned to water - that is, like a kind of adult rebirth. It was a very special experience.

Did anyone ever tell you weren't good enough?

No, it's not something I've been told directly. But I have received criticism when I asked for it. Or when in my childhood I painted and drew every day, and my father corrected me if I had drawn the perspective incorrectly.

How can you stay focused on your goal?

I've learned that you don't give up until you finish a project. And I find focus by constantly investigating whether the scene or the story can be made simpler and clearer. It also keeps me going, to stay curious.

Have you ever had a breakdown because of your Job?

No, I haven't tried that yet. I belong to a privileged class that works with what I want. I am not wealthy, but I take my work very seriously and it is my destiny to do my job as well as possible so that I do not waste the audience's time. There is simply no room or any opportunity to go down because of my work. I cannot allow myself or those I work with to do that.

Talent is a blessing or a curse?

It depends on how you manage it. Talent is good to have, but the most important thing is to keep working. The solution is always to work hard and sometimes talent, if you have some, can do more harm than good. Often talent makes you lazy in an odd way.

What would you like to improve about yourself a filmmaker?

I wish I was better at fundraising and that I had more hours in the day. If it were possible, it would look very different.

What's the worst critic you have received?

Unfortunately, I have yet to experience criticism that knocked me out. Nor have I received such bad criticism that I can remember that it has done anything to me. It will probably come one day. It should be welcome if it is factual and accurate and important.

If you weren't an actor/director/screenplayer what would you like to be?

I am also a painter. It is my primary occupation. For many years I have drawn storyboards for the film industry, created posters, books and exhibitions. The Captain's Heart is actually my debut film and I regard my role as a filmmaker as something that came out of the blue - as a great necessary personal and artistic work that could only be told as a film. It took me 18 years to create this film, but it has also become the way I wanted it to be. I am a self-taught film director.

If Cinema was a color what would it be?

It would probably be both blue and red. But the question is very simplistic and a bit frivolous, I think :-)

A day without a movie is...

It is a day when you can, for example, paint or read a book. Books are the prerequisite for creating good films.

If someone offered you to play/direct/write in/a movie that you despice 

but that for sure will make you rich and famous...would you accept the job?

No, I don't fall for superficial offers. I want to be challenged, but life is short and you have to carefully assess what you want to spend your time on. I've compromised a few times in my life, but it's unhealthy and it ends up breaking you down.

What's your greatest ambition?

To live long enough for me to be able to do the projects I have to do.

What's your biggest fear?

Losing my mind and curiosity.

Does music helps you to play/direct, write?

In the past, I didn't use or believe so much in music as part of the inspiration, but today I know that helps to get in the right mood. I'm more of the type that believes in hard work and persevering until a solution is found.

You have the chance to make a Silent movie, what's your message to the audience?

I don't have any messages for my audience. I strive to write and direct a good story. And good stories always have something important to convey. If I were to create a Silent Movie, it would not be driven by your question, but only because it, in itself, had something important at heart.

 Share your speech if you should win an Oscar.....

Winning an Oscar is no longer important. That prize has lost its value between the big questions in the work of creating important films. The Oscar has now become part of wokeism and has lost its importance as an important and decisive award. The Oscar belonged to old Hollywood, which no longer exists.

Andrew was born April 27, 1971 in New York City. At the age of five he was selected to appear in a Merchant/Ivory documentary, the experience of which changed his life forever. After falling in love with acting while attending the Collegiate School in New York and filmmaking at Vassar College, Andrew was offered a scholarship to the Lee Strasberg Theatre and Film Institute, which he promptly turned down to begin a twenty-year odyssey through as many creative disciplines as he could get his hands on. From typography, visual and forensic design, and six years as an intelligence and counter-espionage contractor, to animation, commercial voice work and direction, his unprecedented apprenticeship would lead him right back to where he began... Only now he was the documentarian rather than the subject.

What's the absolutely necessary ingredient to be a good director?

Be a good storyteller, and enjoy the art of storytelling.

First and last cinematographic crush?

My first was definitely Daniela Bianchi as Tatiana Romanova in From Russia With Love. And though I fall in love almost daily, my last (as of this interview) is Sheri Moon Zombie in The Lords of Salem. Last week it was Myrna Loy as Nora Charles in The Thin Man. Yes, I’m all over the place.

How old you were when you decided you wanted to be a director?

During my first film class, senior year of high school in New York. Some of the films we screened (“To Have and Have Not”, “Black Widow”) remain among my favorites to this day. It was shortly after this that I turned down a scholarship from Lee Strasberg… Because he didn’t teach direction.

For you a Film is…

The ultimate creative endeavor. To make a film one must draw on nearly every other creative discipline from design and photography to the written word.

What do you feel when you’re directing?

Ideally I feel like I am “in the zone”, creatively speaking. One idea flows from effortlessly from another as time passes unnoticed. Unless I can catch that wave, work is doable but feels forced.

You can go to the Movies with a director that you love. What kind of movie do you choose and with whom are you gonna watch it?

Definitely a classic film, probably noir. And among living directors I would have to choose Ridley Scott as my guest – he’s responsible for more of my favorite films than any other director or producer, and we came from the same beginnings: art and design. But if I could resurrect a dead legend I’d probably go with Stanley Kubrick.

 Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?

She’s quite right, but she left out the most important part: "Some things take a hell of a lot more work than others."

Can you live just of your passion?

If you’re lucky, ut most people cannot. At least not at first. But we can all live next to our passions, that is to say we can take a job in a field that allows us to flex our creative muscles – graphic design, writing, etc. – while pursuing the dream.

What's more important talent or luck?

Talent, hands down. But actual skill beats them both ;)

You must go to a desert island but you can bring with you just one movie…

That’s really a tough one. I can’t decide if it would be The Shining or Alien. Both are absolutely perfect films, and I see something new every time I watch them.

Have you ever accepted a movie to direct even if you didn't like the project?

Not yet, no. But if I did it would depend on exactly what it was that I didn’t like. A bad script would be a deal breaker, while a bad producer might not be.

What's the best compliment you have received about your Job?

"You made me laugh."

Are you satisfied about your career?

Very much so. The digital and indie revolutions has been a revelation, and the best is yet to come.

Do you have a good luck charm?

I do: A well-worn Everspin top made of heavy brass, identical to Leo DiCaprio’s totem in Inception.

Which is the worst moment on set ?

Breaking it down and saying goodbye.

How do you feel when a job you've been part of is ending?

My feelings are usually very mixed. On the one hand, I’m sorry to see it go. On the other I have a very strong urge never to watch the finished film again.

Have you ever lied to get a part/job?

No. Lying about one's experience is strictly for amateurs. A professional will build his or her CV meticulously, phrasing everything in such a way that there is no need to fabricate anything. Besides, as often as not a lie will come back to bite you in the ass.

If you should win an Oscar your first taught would go to…

My father and mother, who despite their flaws (and at times against their better judgment) provided the foundation I needed to succeed.

Leonard Bryan Pitts credited professionally as Bryan Pitts is an American director and writer born in Los Angeles California. Pitts first garnered attention for his directorial debut "Subliminal". A silent break up film that's centered around the social media age.

What's the absolutely necessary ingredient to be a good  director/screenplayer?

Patience. Not just with crew or actors but patience within yourself.  You will make mistakes along the way, but just learn from them. Be different. Take chances on different filming techniques and learn from those before you. When writing, have no limits. If you think it's to personal, that means it's real. Keep writing.

First and last cinematographic crush?

First cinematic crush was Hook, directed by Steven Spielberg. 

My last cinematic crush was Baby Driver. The cinematography, editing and use of music to covey emotion was done brilliantly. 

How old you were when you decided you wanted to be a director/screenplayer?

I knew at 6 after I watched hook. I watched it different from other kids. I was obsessed with the camera movement and angles. What solidified me into becoming a director and screenwriter was Titanic. My parents took me to see it and we sat behind girls I went to school with. Throughout the movie they were making jokes, talking loud and being really annoying. By the end of the film, they were in tears. I had never seen a movie connect with someone so much that it brought them to tears. I never knew you could love a character that much. That's a power I never knew existed. At that moment I knew, I'm going to be a film director.

For you a Film is...

Life, and at times, an escape from it.

What do you feel when you're directing\writing?

Anxiously calm, if that's possible (laughs). A sort of duck syndrome effect. 

You can go to the Movies with an actor/director/screenplayer that you

love. What kind of movie do you choose and with who you're gonna whatch it?

Spike Lee, and we would watch Malcolm X. I would annoy him with a thousand questions about his own movie.

Audrey Hepburn used to say “Nothing is Impossible”, what do you think

about it?

It's true, my family is a testament to that. Faith and hard work will take you further than you expect.

Can you live just off your passion?

Absolutely. If you love what you do, you'll never work a day in your life.

What's more important talent or luck?

Preparation.

You must go to a desert island but you can bring with you just one movie...

Rocky

Have you ever accepted a part/ a movie to direct/ a script to write even

if you didn't like the project?

In the beginning of my career, I took projects I was less passionate about. But today, absolutely not. 

What's the best compliment you have received about your Job?

I can tell, you were born to do this.

Are you satisfied about your career?

I'm like the growth I make day to day in my career, learning, then doing. But satisfied, not yet. I want more.

Do you have a good luck charm?

Prayer

Which is the worst moment on set ?

When your cast or crew don't believe in the vision you have.

How do you feel when a job you've been part of it's ending?

Excited. Now we get to edit. Most of the magic happens in the editing room.

Have you ever lied to get a job?

No

If you should win an Oscar your first taught would go to…

My family. They never gave up on me and let me use the family camcorder to shoot my first short films. Then I'd thank me for never giving up. I'd also thank those who doubted me because they added fuel to my fire.

Creator of Sheldon Mashugana. Actor, writer, producer, and director. Won 275 film awards for Best actor, Best director, Best International film, Best Short Film and Best Comedy short. Played Hoffa in Hillary's America. I am a Rabbi and did a Netflix wedding from Delerium TV. Mostly play policemen in the over 100 films I have done in the past 10 years and comedy is my main thing people hire me for the most. I also direct movies and TV. My agent is Beverly Brock and my manager is Icon studios and my publicist is RJ Garis. Dean Morgan owns Standard Medical Co-Op, the real healthcare company at a fraction of the cost. America's Commercial Agency, selling business and commercial insurance, and Baby Boomer Buddies non emergency transportation company. Mashugana Production, film company making Sheldon Mashugana and The Macher films.

When did you realised you wanted to be a Filmmaker\Actor\Writer?

I auditioned as a joke in 1979 for 2nd city in Chicago, I passed the audition, and had no idea was that good until then.



Do you remember your first time at the Movies?

 

Wizard of Oz comes to mind, and bugs bunny when I was very young.

If you should change country where would you like to work?



 Australia, I love that place, was there about 30 years ago, nice place!

Two films that have marked your life for better or for worse…

Willy Wonka and young Frankenstein by Mel brooks, being a Jewish actor and loving comedy is my love for this this business.



What do you think about Acting/ filmmaking schools?

I do teach acting occasionally, it's interesting, but the problem is that when you have too big of a class, it takes to long for you to help each and every person, so the student sometimes does not get enough attention.

Have you ever hated your ambition?

 

Never, I see something that a possible opportunity and if it fits on what I'm doing, I go for it.

Francois Truffaut used to think that "Film Lovers are sick people”… was he right?

 

No, film lovers are people who dream.

Close your eyes…if I say “Cinema” what do you see?

 

Groucho marx and the three stooges, slap stick.

Who’s the Director\Actor\Writer that taught you the most?

 

Morgan Freeman and William Shatner, as for directing Steven Spielberg.

About your job, tell us your biggest dream and your worst nightmare…

 

Dream of retiring, I have owned over 30 businesses and I"m tired, nightmare would be not retiring.

How important is to have a good Cinematographic Culture?

 

knowing the business first allowed me to learn quickly, I started acting in 1979 as a joke, but for real 2011, So now that I know both ends of the business, it makes it easier to understand the Culture or works around it.

What would you like to improve as a Filmmaker\Actor\Writer?



I'm always learning the special effects and green screen aspects, but the sound part has been a challenge  We need to get better sound equipment.

A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?

 

Alfred Hitchcock's "The birds"

Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?

My wife, kids and my crew and James Smith and my Agent Beverly and my publicist RJ Garis.

Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script".  Do you agree with him?

The script and the characters, You must know what your going to do the characters in the script to make it great film. If you pick the wrong actors, it just does not work well.



What’s your most ambitious project for the future?

My biggest project is Sheldon Mashugana gets Lost in Space, combining Star Trek and Lost in Space, The Macher and Sheldon Mashugana, all in the same movie, Can't wait to film it.



Do you think that sadness or at least melancholy let be more creative? 

I'm an upbeat person, I would not want to make a movie on sadness or regret,  I love to make people laugh, and if I can laugh at my own films, I know I have done my best.



What do you wish to yourself as a Filmmaker\Actor \Writer? 

To be well known for the comedy of Sheldon and the Macher and continue helping others with directing movies that are funny.

For about forty years, Dylan Brody has cobbled together a career in the arts that runs parallel to the mainstream entertainment industry. Notable crossovers have included television appearances on some stand-up comedy showcase programs in the late eighties and early nineties, gigs writing scripts, punch-up and gags for various television comedy programs including The Tonight Show and of course his story-telling specials, which have found a life in the world of streaming and a wide-spread cult audience of their own. With solo shows touring, books on the market and more on the way, and now a burgeoning career as an independent filmmaker and a director, Brody says, “We’re coming to the end of a dark age and we’re going through the plague. As a renaissance man, I’m pretty sure I’m just a little bit ahead of my time.”

When did you decide you wanted to be an actor/director/ screenplayer?

My desire to act started very early, around the time I began wanting to perform as a stand-up comic. At the time I thought of acting for stage or screen as the same thing, with no awareness of the subtle differences in technique and the vast differences in the expression of the crafts. I did not want to direct at all until well into adulthood. Only when I was deeply into my first feature did I start to understand how much I could enjoy directing.

How did your family react?

When I was a kid, my parents supported my acting endeavors wholeheartedly. I was cast in a role as a child in a production of Invitation to a March at Skidmore College and my father dutifully drove me to and from those rehearsals. Once, the morning after a late-running rehearsal, my father let me sleep in and skip school. My father, a teacher of literature and then of theater really taught me that the creative process, the arts, must be prioritized above all else, the focus that goes into the work undisturbed, the efforts fully supported. My mother showed adoration and support for anything I did that made me seem special, smart and well adjusted, so getting applause from roomsful of people served her needs perfectly well.

Once I began putting work into the world, their support shifted dramatically to perpetual critique. While it pretends within their own minds to be born of a desire to help me improve it has damaged my psyche over the years, making some aspects of my work very difficult to pursue. Believing them to be well-versed in the arts, experts at the highest levels of academia and culture, I heard their every stern admonition regarding a point of quality or substance in my work as some objective determination of its unreadiness to be presented. Whether my mother was put off by my tone in a performance or my father had an issue with an ethical ambiguity in a main character I’d created, when they saw me putting things into public view that they would not feel comfortable putting into public view, they told me in serious and authoritative tones all the reasons that the work simply wasn’t that good.

Do you have a Muse or a Role Model?

Of course, for LockDown 2o2o and the web series from whence it grew, Kate Orsini served as Muse in Residence, not only inspiring me, and shaping the project but also writing segments and starring in the piece.

I always have some Muse or Role Model affecting me in my work and my public persona. Mostly, they’re musical influences that open my literary taps. For a while John Darnielle (The Mountain Goats) fed me inspiration. I’d put on the album Tallahassee while I drove and a line of his lyrics would break open a story in my mind, or a self-reflective observation. By the time I got home, I’d have something to put to the page. Recently, while working on my new novel, Merlyn’s Mistake I got into a Taylor Swift groove and began imagining Nimue, the legendary Lady of the Lake as being played by her as I wrote. 

Who's your biggest fan?

I wish I could say it was my wife. I know she’s my biggest supporter but it’s pretty dicey getting her to go to one of my shows or readings or what-have-you. I think it’s my dog, Sneaky Tiki the Freaky-Deaky Land Manatee of Love. She is always very excited to see me, to hear my do my stories and if allowed, would go with me to every performance.

What brings you inspiration the most?

Currently, a good deal of my inspiration comes from the weekly workshops I run for Active Voice Productions (http://activevoiceproductions.com/workshops). As I write this, I realize that in those sessions as well as in the private coaching sessions (http://activevoiceproductions.com/coaching) we work with the same structures and mind-setting technique that I used when I ran martial arts classes, and that I used to find a great deal of literary and creative inspiration in the martial arts training. Also – and this may sound odd to some people, I think – but I find that every professional gig I get, no matter how mundane, gets some of my gears turning and leads me to my next spec piece, or my next creative endeavor.

Which actor or director would you like to work with?

I want to put Paul Provenza and Kate Orsini on the screen together and am currently building a microbudget script out for that precise purpose.

Have you ever seen a film that was better than the book?

I think any film version of Moby Dick is better than the book. The book bores me silly. The film versions would too if any of them suddenly devolved into lengthy edutainment pieces on the romanticization and minutiae of the whaling industry only to justify a story of interspecies brutality. At least on film there’s cool stuff to watch sometimes.

What's the movie that taught you the most?

William Forsyth’s Local Hero, my all time favorite film, taught me how small a film can be. In terms of visual dynamics and set-pieces, if we are willing to really indulge a great love for the characters and their world, we can allow conflict to come organically and without the overbearing hand of writerly ambition.

About your artistic career, have you ever had the desire to quit everything?

Occasionally, when I’ve been dead broke at the same moment that some particularly painful professional body-blow threw me off balance, I’ve entertained fantasies, but suicide is never considered the right answer. Oh. Wait. Is that not what you meant by ‘quit everything?’ Then no.

On set what excites you the most?

When I see two actors find the rhythm and the life of a scene in a usable two-shot so that the performances, the text and the technical execution capture a moment of shared singular creativity I feel myself starting to do a happy dance even before I call the ‘cut.’ Also, the single, clean take of the close-up monologue makes me happy. When I know that what we’ve captured will get the laugh. That excites the hell out of me.

And what scares you the most ?

A DP sighing after I say, “We’ve got it, moving on,” or a sound man shouting, “Hang on,” after the take I loved. Also, moths. I don’t know why. They freak me right out.

What's your next project?

Right now the first film I shot, pre-covid, long-mothballed comes close to finishing. The re-edit gives me hope that it might work. I abandoned it thinking it utterly unsalvageable. After a couple of years away from it, I looked at the footage again and found some solutions. I’ve got picture lock and now we’re doing sound passes. That should hit festivals and competitions by end of year.

The new solo show THINKING ALLOWED takes me back on the road as a performer as I gear up for Edinburgh in summer of ’24 and a shoot of that piece as a special. Then, I start book tour for Merlyn’s Mistake, the new novel (Danu Books, dropping in hardcover, paperback and audiobook, Sept. 30, 2024.

You can steal the career of an artist you really admire, who do you choose?

Dean Devlin. Or David Sedaris. Crap. No. I’d screw up everything good about what they do. I’m okay here in my own career, I think.

An actor/director/screenplayer is made of....

Anybody with the creative spirit and the impulse to express ideas unsuited to simple conversational language will likely find his/her/their way to the arts. To be involved in the over-time collaboration of making a film (or a play or any other production) one must also have the long-term sustenance of focused energy combined with the ability to work with others. A painter must maintain focus until the canvas is finished. He need not complete that task while having committee meetings, each brush, palate depression and the canvas puller herself at every stage, as well as discussions with each figure within the painting, each of which has concerns about its own appearance. It’s a complicated thing to do vulnerable artistic work in a densely populated setting, surrounded by sensitive artists as well as expert technicians, all of whom have opinions, concerns and work ethics of their own.

An actor/director/screenplayer is made of....

Anybody with the creative spirit and the impulse to express ideas unsuited to simple conversational language will likely find his/her/their way to the arts. To be involved in the over-time collaboration of making a film (or a play or any other production) one must also have the long-term sustenance of focused energy combined with the ability to work with others. A painter must maintain focus until the canvas is finished. He need not complete that task while having committee meetings, each brush, palate depression and the canvas puller herself at every stage, as well as discussions with each figure within the painting, each of which has concerns about its own appearance. It’s a complicated thing to do vulnerable artistic work in a densely populated setting, surrounded by sensitive artists as well as expert technicians, all of whom have opinions, concerns and work ethics of their own.

For you Cinema is....

For me Cinema is the word that really takes in BIG films, the ones that belong on the big screen first and foremost. Cinema implies size of image, and a depth of field, literally and metaphorically. The pictures in my mind when I think of Cinema focus or blur into great distances and the human stories reach to great depths. I think of Reds, of Lawrence of Arabia when I thing of Cinema.

My little films feel less like capital-C Cinema than like movies or, in the case of LOCKDOWN 2o2o, like experimental narrative video projects. It was shot on ZOOM conference platform as a web series called Corona Dialogues and then segments turned into the film after the fact. ‘CINEMA’ as such carries a sense of grandeur and, as such, a level of budgeting. LOCKDOWN 2o2o should really never be shown on a big screen. I saw it projected for a film festival here in L.A. and it was great to hear people in a room laughing at the jokes and responding as a crowd to the emotional beats but it really belongs in the world of smaller screens, streamed for convenience.

Do you think Black and white movies have a powerful impact?

I think some Black and White movies have a powerful impact. Of course, early film was all black and white and nobody would argue that films had no impact until color emerged. Some auteurs of the sixties and seventies used black and white for effect when color was available. Truffaut, Renoir, Antonioni and Woody Allen all played with black and white in feature filmmaking, each taking pains to shoot with an awareness of the lighting requirements, the effects on depth perception and so on. Student filmmakers and independent directors often use black and white as a way of shorthanding a sense of ‘importance’ about the work without doing the homework of figuring out how to properly shoot for black and white to have its maximum impact. In those cases, I’d say shoot in the latest, best resolution in a natural color saturation and work on your story-telling. Then, when one have a grasp on telling story through image, action and word, perhaps find a story that demands the effect of black and white – whether to establish a particular tone, to showcase particular types of cinematography, or to set a time frame on the work through imitation of obsolete shooting equipment and technique – and the used of black and white will add to the film’s impact. I certainly don’t think that a film’s impact is inherently increased through desaturation.

Have you ever dreamed of winning an Oscar?

Oh, sure. When I studied acting in college, I dreamed of that. Now, I dream of actors winning Oscars with my words or in my films. I don’t think my work really appeals to enough people for the kind of mainstream recognition that earns a creator/filmmaker an Oscar.

Do you think you're gonna win it?

Honestly, at this point the goal is to find enough success with the films that I can properly pay all the people who help me make them. Then the goal is to make enough with each one to fully finance the next, slightly larger one. I genuinely don’t see myself making anything big-time enough to hit that ceremony for a long time yet. That is not to say that with every project I make, with every festival selection and award there is not an egotistical fantasy that the piece will find sudden recognition and my star will rise glittering in the eyes of Hollywood entertainment machine with rights of all my books selling suddenly, adaptations on the table and eventual maquettes at the ends of step-n-repeat red carpets.

Darla Z began her professional musical career in 2005, opening in concert for Willie Nelson. Since 2005, Darla Z has performed, recorded and headlined in Las Vegas numerous times, opened in concert for Wayne Newton in 2007 and 2019 and starred in three nationally released public television specials (2013-2015) filmed in Las Vegas, Nevada. In 2016, Darla Z began cowriting songs and recording with the legendary Ronnie Wilson, founder of The Gap Band, writer and producer of many platinum and gold selling Gap Band records. Darla Z’s most recent project “To All the Gabbys in the World” was written by her in April of 2023 to bring awareness to the ongoing epidemic of domestic abuse and to motivate and inspire abused women to leave their horrible situations and start a new life. The music video was directed by Rick Walker and won many awards.

When did you decide you wanted to be an actor/director/screenplayer/screenwriter? 

 In the early 1990s, I was doing a lot of legal research working as a legal assistant for my husband Bill who is a terrific litigation attorney in the United States.  I learned as I was doing research and writing, I loved to write.  So, I began writing children’s books and had a series I wrote called The Cat Detectives published.  Four books were published, one of which was recommended by The Humane Society of the United States.  I then started writing poetry, which turned into songs and in 2005, sung my first original ‘Why’d You Go’ when I opened in concert for Willie Nelson before a crowd of 10,000. After that, because of my love of cinema, I started writing screenplays and to this day, am constantly writing new songs.

How did your family react?  

My family was very supportive of my writing, in particular my husband, his mom and dad, my mom and my sister.  They would all read my stories and tell me how wonderful I was!  As I started to write songs, they still encouraged and supported me.  My father-in-law loved my songs I wrote and really loved a song I cowrote with my husband Bill called Sweet Destiny, which I performed when I opened in concert for Wayne Newton and in my first public television special filmed before a live audience in Las Vegas called ‘Darla Z Live From Las Vegas.’  

Do you have a Muse or a Role Model? 

I respect and look up to a lot of artists, as well as lyricists and writers.  Karen Carpenter was an artist I thought was terrific, and I’ve been told numerous times my voice is similar to hers, which of course is a great compliment.  I loved her approach to singing lyrics and her vocal tone. In the mid-1980s, my husband Bill and I promoted and produced many concerts with famous singers throughout the United States, including several concerts with Frank Sinatra.  For many years, including today, I have studied Frank’s style of phrasing and his delivery of lyrics which is one of a kind.  I was blessed to be around the legendary Luciano Pavarotti, who I had dinner with in 1984 in Oklahoma (USA) (along with my husband and his father, Dr. Nazih Zuhdi, who was personal friends with Pavarotti).  Pavarotti had the ability to move people to their core with his delivery and tone.  I’ve also been blessed to work with and open for Wayne Newton a couple of times.  Wayne is a consummate entertainer, and I would watch him during the shows we worked together.  I learned from him how to be comfortable in front of an audience and capture and entertain a crowd.   Being around all these musical giants, as well as studying their craft, and Pavarotti is clearly in my opinion the best vocalist of all time, both helped me be better as a singer while at the same time, inspired me to be a singer that made a positive impact and hopefully, one that makes people feel happy. Songwriters like John Lennon, George Harrison, and Ronnie Wilson (founder of The Gap Band, who I cowrote two songs with) wrote lyrics and melodies that touched people’s souls.  Shakespeare and in more recent history, Robert Bolt, were both incredible, talented writers with lasting impact.  All these gifted people inspired me to be a better as a songwriter, writer, and author. I also really respect the women in the film industry who positively influence the public, create awareness of great causes, and who deliberately choose their material to not be a bad example.  I am particularly supportive of actors or others in the industry who strive to have a positive impact upon children. 

Who's your biggest fan? 

My husband.



What brings you inspiration the most? 

 The pursuit of justice. The reason why I wrote my newest song, To All the Gabbys in the World, was because I wanted to create awareness of the global epidemic of domestic abuse and encourage and inspire those victims to leave their abusive situations and start a new life.  That desire inspired me to write the song, as well as the script for the music video – to hopefully make a difference.  I also am inspired by the desire to create positive, impactful works and the love of quality family entertainment.  



Which actor or director would you like to work with?  

Present day? Reese Witherspoon.  In the past?  Myrna Loy and Cary Grant.



Have you ever seen a film that was better than the book?  

Franco Zeffirelli’s Romeo and Juliet.  I know.  You can’t beat Shakespeare so it’s probably a tie.  But that Zeffirelli film was incredible and one of my top favorites of all time.  I would also say Ben Hur, but the book was terrific, so that’s also a tough call.



What's the movie that taught you the most? 

Lawrence of Arabia.  The writing, directing, editing, cinematography, and transitions are truly masterful and top notch.



About your artistic career, have you ever had the desire to quit everything?  

I’ve been discouraged several times.  But something had me keep going.  It was probably my husband’s constant encouragement that did it.  I don’t know how many times he has asked me to perform a personal concert for him and he cheers me on while I do it.  I wake up in the night, and he’s playing my songs.  And this is every night!  So, I believe it would be impossible for me to ever quit – he wouldn’t let me.

On set what excites you the most? 

The first take, especially when it results in my best performance.



And what scares you the most? 

Not doing it right.



What's your next project?  

I have one of my scripts in preproduction right now.  It’s a family-oriented film that’s super funny.  I’m excited about it and will be writing a lot of the music for the film.

 

You can steal the career of an artist you really admire, who do you choose?  

Barbra Streisand.  She starred in films, performs in world-class concerts, and has always been famous for her voice.  And she played Carnegie Hall, where I plan to perform one day. 


An actor/director/screenplayer is made of....

Salt and clay.  Salt because you have to be tough and honest, for example, “salt of the earth” and clay because sometimes it’s necessary to be versatile. 

For you Cinema is....

An avenue of expression that allows the creator to change the world for the better or positively sculpt ideology. 



Do you think Black and white movies have a powerful impact?  Absolutely.  

The use of and effect of shadows in an intense, dramatic scene is so powerful, it evokes many emotions at once.   

Have you ever dreamed of winning an Oscar?  

Every day.  That, and a Grammy.  



Do you think you're gonna win it?

  Yes.


After considerable directorial experiences in theater, Kristinas earlier film projects – including seven short films, three music videos and the experimental feature-length film "Ungleich", for which she was one of the five directors and actors – explore the tension between film, theatrical staging, and improvisation. “The Sound of Cologne” is Kristina’s first documentary feature film as director and DoP. Kristina works for film festivals (BIFF Braunschweig, SoundTrack_Cologne, etc.) and created dozens of trailers and educational films. She completed the 2020 Documentary Campus Masterschool and attended two years of Meisner-Acting (Method Acting) with Hendrik Martz. Kristinas publishes short stories in anthologies and magazines; her novella "Drei Gesichter" was published by Mitteldeutscher Verlag.

Do you prefer comedy or drama?

I'm open about that. However, I like the absurd very much, I used to play absurd theatre, the absurd is tragic and funny at the same time. I could agree on this.

Life imitates Art or Art imitates Life?

According to Plato's theory of mimesis, art imitates life. But there are very different approaches. It could also be that there is no imitation at all and that the work of art is something entirely new and its own.

Which is the best moment on set?

I especially like working intensively with actors. In fact, I also like to rehearse, to improvise and discover new things, to dive deep into a situation. Often in film there is not much time, everything has to go quickly and has to function. But I love being experimental and being inspired by others.

Did anyone ever tell you weren't good enough?

Constantly. When you start doing your own things, you only meet critics at first. Basically, everyone always knows better. That's not only the case in film, but especially in the literary scene. There's a long way to go before you even reach an audience. 

How can you stay focused on your goal?

It depends on how much you want something and how much you are willing to give for it. When other things become more important, many people prefer to take the easy way out, because making a film costs a lot of energy and time. If you really want something for a long time and are prepared to give everything, then you stay focused. It is not difficult then.

Have you ever had a breakdown because of your job?

No. I only had a difficult phase at the beginning in Berlin, when I always had gaps between projects and that didn't do me any good. Sitting around, waiting and doing nothing is not for me. If I'm too exhausted, I sleep for two days and then I'm fine again.

Talent is a blessing or a curse?

I would say both. Having talent is just wonderful if you’re able to draw from it. But if you can't live it, it becomes a curse. It's unbearable when you feel you can do it but you can't show it or you don't get the opportunity. But when you do get the opportunity and you succeed with your talent and get recognition, it's wonderful. 

What would you like to improve about yourself as an actor/director/screenplayer?

Over the years I have become more and more involved in the technical side of things, editing trailers for film festivals, doing camera work. I would like to get more involved in animation if I had the time.

What's the worst critic you have received?

The worst criticism was in academia for my PhD defence. I defended digitally in Corona times, there was no other way. Basically, they couldn't think of any clever criticism, but they didn't want to give me the top grade either. So they said that they could only connect via mobile phone and that the screen on the mobile phone was too small to read my PowerPoint presentation, but that they didn't feel like connecting via computer either. That was the only criticism for which I didn't get a top grade, and since it had nothing to do with the content of my dissertation whatsoever, this criticism and the grade hurt me very much. My doctoral supervisor had nothing to do with it, I am infinitely grateful to him.

If you weren't an actor/director/screenplayer what would you like to be? 

I am basically a writer first and foremost. I have also written books. That is my first deepest passion. Then I am also a scientist

If Cinema was a colour what would it be?

Rainbow colours

A day without a movie is...

Also a good day. It's great to switch off and do something else.

If someone offered you to play/direct/write in/a movie that you despise but that for sure will make you rich and famous...would you accept the job?

Not an easy question. In the past I would have turned it down, today I might accept and try to make the best of it. I have also turned down several projects. It would depend on how much I disliked the job and whether I could live with it.

What's your greatest ambition?

I want to touch people with my art and stay in their minds and hearts for a while.

What's your biggest fear?

Not being able to make art any more. That would be really unthinkable.

Does music help you to play/direct, write?

Sometimes yes, sometimes no. It depends on my private mood and it varies a lot.

You have the chance to make a Silent movie, what's your message to the audience?

FINDINGS is a silent film. It is about a woman who emancipates herself from her social structures but then ends up on the outside of society. So the question is how is emancipation possible without becoming an outsider, without losing the home that simply no longer fits. What new social structures can be found or created? Pictures often have a very clear message, often no words are needed at all.

Lorenzo Andrade Astorga is 36 years old and his passion is cinema. At 23 years old he started a company with his best friend, Nomade Media. They dedicate themselves to filming extreme athletes performing extreme feats, accompanying them on their missions without hindering them, and being able to tell the stories these intense characters want to tell. He had the chance to travel to many parts of the world filming. Today, he dedicates his life to filming extreme sports and making nature and sports documentaries, always accompanied by an environmental message. His documentary, The Patagonia Triple Crown, has so far achieved: 25 selections, 21 award wins, 13 times a finalist, 5 times a semi-finalist, 3 nominations, and 2 honorable mentions.

When did you decide you wanted to be an actor/director/screenwriter?

I have always been intrigued by the film industry, from special effects to stories, set designs, etc... Cinema has always been a very important topic in my life... At the age of 23, I shot my first short film after studying something completely different (tourism). During the filming and editing process, I felt really fulfilled and motivated, and until today I continue with the same motivation… 

How did your family react?

All good, my family has always supported me in my different processes. 

Do you have a Muse or a Role Model? 

I do not have role models but I have many inspirations, from Tarantino's dialogues, to Scorsese's reality or Peter Jackson's imagination… all have contributed to my vision and inspiration in cinema… 

Who is your biggest fan? 

Me 

What inspires you the most? 

Always improving, being very self-critical, and making an impression on people.

Which actor or director would you like to work with? 

I would like to work with Jimmy Chin… and as an actor, whoever fits the role I would be looking for… 

Have you ever seen a movie that was better than the book?

 No… But The Lord of the Rings is very well made.

Which movie has taught you the most? 

The Godfather, it is really the movie that has marked me the most, it shows that action is not everything, and the importance of good content… 

About your artistic career, have you ever felt the desire to quit everything?

 No… 

On set, what excites you the most? 

Having the time and the team to do what I want and being able to see that on screen…

And what scares you the most? 

Nothing. 

What is your next project? 

I am working on two projects, two documentaries, one about an artist and his passion for art and another about extreme sports (kayaking).

You can steal the career of an artist you truly admire, who would you choose?

 I would like to follow in Tarantino's footsteps.

An actor/director/screenwriter is made of... 

Passion 

For you, cinema is... 

The expression of imagination compressed into a film… 

Do you believe black and white movies have a powerful impact? 

I'm not a fan of black and white cinema… 

Have you ever dreamt of winning an Oscar?

I've never dreamt of it, but I will pursue it….

Do you think you will win it? 

Maybe, I will keep working to improve and create cinema.